Showing posts with label The Prestige. Show all posts
Showing posts with label The Prestige. Show all posts

Wednesday, March 29, 2017

Top 15 Movies of the 2000s

After creating my Top 15 Movies list for the years spanning 2010-2016, I was immediately interested in creating a Top 15 list for the previous decade, 2000-2009. This was in part due to the fact that there were movies that I wanted to put on the previous list but could not do so because they were made before 2010. Another reason is that I've noticed my view on movies in the past changing, where some movies I thought were good have lessened over the course of time while others that I didn't originally care for have grown into some very enjoyable pieces. This change is especially noticeable if, after reading this list, you explore my 23 Favorite Movies lists from back in 2014.

I do not think I will make any similar lists for other decades, I just don't have as much interest or knowledge compared to movies made in this century. With such a long passage of time (10 years is long when it comes to movies), and especially with such a drastic change in my taste of movies during this specific time period, it's interesting to notice what has stuck with me over the years compared to what movies I think I missed out on when growing up.

Once again, after giving a brief rundown on the movie or my impression of the movie, I will include things you should be made aware of in terms of content before watching, as well as what makes the movie so worth rewatching. Also once again, I will include a list of honorable mentions of movies I enjoyed, just not enough to warrant being at the top, and then at the very end will be my Need-to-See list, which this time will be majorly comprised of suggestions I received from friends online.

15. Funny Crooks in London: Snatch (2000)




I was in a bit of a Guy Ritchie faze for a time, mainly by watching this movie and its predecessor, Lock, Stock, and Two Smoking Barrels, multiple times. This is one of those kind of movies where the protagonists are not really good guys, but the characters are all interesting. A part of the charm of both of these movies is the low budget aesthetic, so that while you're watching a movie that may not necessarily look top notch, it makes up for it with funny writing and unique avenues of character development.

Snatch features a multitude of more memorable characters, including Jason Statham as the calm and witty protagonist, Brad Pitt's mushed mouth Irish rambler, Vinnie Jones as a psycho polite guy with anger issues, Benicio Del Toro's too cool for school gangster, and Alan Ford's quietly dangerous mob boss. With colorful names like Bullet-Tooth Tony, Frankie Four Fingers, Boris the Blade, and Gorgeous George, you know you're in for a goofy fun time. There's good reasons why this and Ritchie's first movie are being used and rebooted into a TV series this year.

Watch Out for: The Pikey gibberish (It ain't exactly English, not exactly Irish, it's just...Pikey). Profanities thrown about lackadaisically. Bloody violence is involved cause it's boxing and gangster business. And (though I don't really remember this) there are some images of topless women in the background from time to time.

Why It's Rewatchable: The humor works very well because of how sarcastic it is while still not relying entirely on darkness and bitterness. The quirky characters are some of the best in Guy Ritchie's career and you come to actually care for some of these grimy, crummy jerks.

14. American Odyssey the Musical: O Brother Where Art Thou (2000)



A classic Coen Brothers comedy that I did not fully appreciate when I first watched it, but has steadily grown on me over the years. This is the Coen Brothers movie I've watched the most and where you can especially make out their style for aesthetic and humorous dialogue. Pappy O'Daniel and Ulysseus Everett McGill are two of the best characters ever created by the Coens. This is an entertaining comedy with an unusual sense of humor, where even the Ku Klux Klan are funny characters. The cinematography works very well here because the sepia, grainy tones match the Depression era southern setting. What a lot of people remember from this movie is the soundtrack, which features a lot of folk, bluegrass, and blues music performed by modern day bards and groups in those genres. This is where I first really experienced appreciating this kind of music and only wish I appreciated it more when I was younger.

Watch Out for: A man loudly stating "Well we was fixin' to fornicate" in a polite public setting (I didn't get this joke when I was younger). There is some dark menace caused by the movie's antagonist, plus not to mention a Klan meeting done very realistically (to a certain point). Also, Tim Blake Nelson gets the tar beaten out of him...which actually is both fun and sad to watch.

Why It's Rewatchable: The visuals of the southern landscape, witty dialogue, the soundtrack and the goofy characters played by the main trio of George Clooney, Tim Blake Nelson, and John Turturro.

13. Backwards is Forwards:  The Mind Games Movie: Memento (2000)



The first of three Christopher Nolan movies on this list. Sometimes people think a movie is style over substance or vice versa. This one is both. It's a stylish movie because of the narrative framework, where the story is told backwards (the ending comes in the beginning and the real beginning comes at the end). It takes a lot of mental energy to focus enough to understand this movie, especially the first time through. The substance is the story and the characters involved.

The premise is simple: a man seeks revenge for his wife's murder. The way he goes about seeking revenge while battling his mental disorder is what gives the story conflict and substance. It also does some interesting character building by feeding us information in reverse order so that we can never really trust or empathize with anyone, even the main character.

Watch Out for: Bloody violence and profanity worthy of the R rating.

Why It's Rewatchable: The plot and story would ultimately make more sense the more you watch it. The plot is the most intriguing part, but the characters are interesting enough to keep you wanting to understand everything that's going  on. Also there's a little nostalgia involving the polaroid pictures.


12. Irish Culture 101 The Cartoon: The Secret of Kells (2009)



I mentioned its successor in my previous list now here is the first genuine article from Cartoon Saloon. I think I prefer this movie just because the Irish landscape gets more variety and attention and I prefer the historical setting. The illumination of the Book of Kells works spectacularly well in this movie because the animators give it an extraordinary appearance compared to the rest of the cartoon world. The art style kind of reminds me of Samurai Jack, but the angles are played with even moreso here. Celtic mythology and Catholic spirituality are blended as well as expected in this movie, not necessarily confusingly so but the line between reality and fantasy does get blurred some.

The voice over work is stellar, especially with the children actors. The legit Irish dialects may make it hard for audience members to understand everything, but I appreciate being absorbed in this foreign world in a time gone by. Again, what works best in this movie is the animation, where special things glow and sometimes a 3-D setting goes two dimensional and back.

Watch Out for: Some creepy or intimidating imagery involving the antagonists of this movie. Obviously nothing graphic, but just know that this movie is not all bright and colorful.

Why It's Rewatchable: Curious kid characters in a movie with a uniquely gorgeous artistic style.


11. So Much Better The Second Time Around: Shrek 2 (2004)



What's a Shrek movie doing on this list, and why is it not the original? Cause the sequel is funnier and improves upon the original that's why! Actually, this was one of the first DVDs my family owned and I watched it constantly. Seriously, EVERYTHING works better in this movie than the original, One improvement involves the multitude of pop culture references, some of which are definitely product of the times types but overall they make sense and are still humorous, even to a young teen who wasn't pop culture literate back then. Part of the success of the humor and references is because there's not as many bitter criticisms of Disney in these jokes as the original. All of the characters go through even more character building, so that we come to appreciate Shrek, Fiona, and Donkey and their relationships to each other even more than before. The new characters are fun additions and very fitting for this goofy world. The villainness here is so much better than the original villain because she is both melodramatic and delightfully charming, much better than just being arrogant. The animation is not all that much different from the first one, but the three years between the two definitely made it smoother.

The music can be somewhat distracting when you hear things like 'Accidentally in Love' and it transports you mentally back to 2004 but overall the soundtrack is enjoyable (and it introduced me to Tom Waits and Nick Cave music which I would not explore until many years later). The environment is pleasant to be in at all times, which is a part of what keeps me coming back to rewatch all the time.

Watch Out for: Some innuendos and other immature jokes that pop up in kids movies to appease to both kids and adults.

Why It's Rewatchable: Fun characters with funny things to say, the pleasant world we get to stay in, and the themes of love and friendship done in the least cheesy way possible.

10. So Slow It's Good Drama: The Assassination of Jesse James by the Coward Robert Ford (2006)



Sometimes I think I give people the impression that I dislike any slow pacing and long quiet moments in movies. Well, here's a movie that is full of slow pacing, long quiet moments, and even background narration, and I love it. A strange blend of western and documentary moviemaking, this gently paced movie gives you time to feel the uneasiness of these characters' lives. This movie introduced me to Casey Affleck and made me appreciate Sam Rockwell. Both actors, plus Brad Pitt, are tremendous forces in this film. It's a grim and tense movie, and yet you can feel sorrow and empathy for both Jesse and Bob at different points. There's not as much violence and gunplay in here as other westerns, but some of the imagery is more haunting here than any bloody shootout.

Sometimes I don't really have much more to say than just "It's really good and you should go watch it".

Watch Out for: A few moments of profanities and some bloody violence.

Why It's Rewatchable: The characters are just so absorbing. There are images and scenes that stick with you and keep drawing you back.

9. Top Swashbuckling British Navy Tutorial: Master and Commander:The Far Side of the World (2003)



The movie really makes you believe you are out at sea during 1803. Most of our time is spent on one vessel, a magnificent home for so many men and it was tough to always tell what was done in studio and what was done on the ship. The costumes and lighting adds to the authenticity of this voyage we go on. There's enough scenes of swashbuckling action to keep a teen boy interested while at the same time it provides some eloquent dialogue and fantastic character building for adult tastes.

The script allows multiple characters to get time to be developed in their own way, and the way they interact with each other, especially with the class and work differences, are part of this movie's charm. You get a real sense of history from watching this movie and it lets you sympathize with each of the characters it addresses to you.

Watch Out for: A bloody violent battle takes place periodically, and you vividly see the blood and dead bodies. This movie is also not afraid of getting up close and personal with injuries, bones, and brains. The ocean can be an intimidating factor, especially when it's stormy and dark.

Why It's Rewatchable: You get to see how a British Navy vessel was operated and lived on in 1803. Plus all of the action to be had on the high seas.

8. Top Middle Earth Movie: The Lord of the Rings: The Fellowship of the Ring (2001)



The best of the Lord of the Rings trilogy. It relies the least on computer generated effects and the images that are there are more spectacular than the visuals we get in the next two movies (except for Gollum, of course). I like that the focus is not split on three separate storylines but for the most part is only just on one, sometimes two, which makes it easier to get invested in the movie and characters. The final battle is actually my favorite because I love how such a small group of warriors tackles an overwhelmingly large force and it's made especially epic with the redemptive last stand of Boromir. Not to mention the boss battle between Viggo Mortensen and the Uruk Hai, where Viggo literally bats away a live blade that could've injured or killed him

I will be honest and say that when I first saw this movie, I got scared. I was always frightened by Gollum as a kid (I saw the animated LOTR movies before seeing this one) and the Ringwraiths are definitely frightening. The atmosphere in this movie can get pretty dark and intimidating to young kids with crazy imaginations. I did enjoy it enough to watch the VHS multiple times when we got it, I just always skipped what I thought were the scary parts until I stopped being intimidated by them. So this was the only movie I saw in the trilogy when they were first released in theaters and it was only after they came out on home video that I began to watch them regularly.

Even after reading the books, I still find this movie to be a tremendous feat. It paces itself very well for a three hour adventure, it has both fun action and dramatic dialogue, and it is probably the best adaptation of a book that is least like its source material.

Watch Out for: Chopped off limbs and bloody violence (though not too bloody). Also, the scary parts involving Ringwraiths and Gollumses.

Why It's Rewatchable: The magnetic pull you feel for the characters. The grand battles in fantastic landscapes. The good vs. evil story done so spectacularly well.

7. Rock'n'Roll History 101: It Might Get Loud (2008)



One of the first music documentaries I've seen and the one that I hold as the standard for other rock music documentaries I watch. This movie made me appreciate Jimmy Page and The Edge more and it introduced me to Jack White, whose music and personality I obsessed over for a time. The exploration of music history and the various methods of playing various electric guitars were what gripped me and keeps me coming back again and again.

There are so many visuals of concerts throughout the years. There are so many songs and electric guitar tones that showcase the growth of rock music over the decades. We get to see how technology has influenced song writing, sounds, and creativity and how different guitarists utilize the technology at their disposal.

Each guitarist also has their personal approach and attitude towards the guitar, which is great to have such variety of character in these high profile rock'n'rollers. We get to travel to some pretty neat places , from the Heady Grange cabin that Led Zeppelin recorded in to a random rundown Tennessee farm that Jack White transforms into his personal music practice room.

Watch Out for: Footage of bombing sites in Ireland from the 70s. Jack White cuts his finger while playing the guitar and like a boss keeps playing while he bleeds all over it. Jimmy Page uses some strange vocabulary sometimes that are carnal in nature.

Why It's Rewatchable: It's a quick watch at around 90 minutes, but the stories and history of the music are the magnetic attraction for someone like me to watch over and over again.

6. Top Top Superhero Movie:  The Dark Knight (2008)



Probably the best superhero movie ever made thus far. Part of what makes this movie work is that it does not spend as much time as the first movie on describing Batman's gadgets and doodads to the audience. We just watch him move around and use whatever and we accept it because it's Batman and he's rich and smart. The times when the gadgets are described are tolerable because they become important pieces of information later on. We all know how terrifying Heath Ledger was as he portrayed The Joker and how it was probably the greatest thing about this movie, so I don't need to rehash why he's awesome.

Everything is written and shot with an extreme sense of realism. The origin of Harvey Dent and Two Face is more believable than other incarnations. The mystery of Joker's identity and origins are realistic. Even Batman's technology and crime fighting ways are all displayed in a realistic way. Another great aspect of this movie is that it is thematic. Where do you draw the line on what is good and bad when you're fighting criminals without morals or rules? How much chaos and anarchy is in our control? Are people really willing to do good even when threatened by extreme violence?

Watch Out for: Mayhem and dark images of criminal activity. Death and violence is dealt to many people in this movie, but they do not often show carnage or bloodshed. The effects for Two Face are realistic and could be too much for some people.

Why It's Rewatchable: It's Batman v. Joker done in a realistic way!

5. How Did He Do That?!: The Prestige (2006)



The third Christopher Nolan movie on my list, and some people may be surprised by the fact that I put this above The Dark Knight. I myself am somewhat surprised. When I first saw this movie in the theaters, I was not impressed. I do not know if it was all the high dramatic acting or if it was all of the twists and turns in the plot, but when the ending came around, I was just like "meh, whatever". However, since then, this is one of the few movies from this time period I've watched multiple times over the years. It gets better every time I watch it. Part of it is because there are so many secrets and hidden clues into the storyline you do not know about about upon first viewing, so seeing it again allows you to see what was hidden in plain sight before.

I like the time period and the settings. We get some nice Colorado landscapes sprinkled in along with the grungy London urban sets. The best thing about this setting though is that it really matches up with the story's connection to magic. This took place during a time where changes in technology almost baffled the average person and the changes were so new and strange that they could be manipulated to look extraordinarily like machines of magic. The actors are all dedicated to their parts, giving us a great character study in the consequences of revenge and greed.

Watch Out for: This movie is not necessarily violent, but they do have a few extremely gruesome visuals that are barely within the PG-13 range. May be a use of a profanity here and there, but I cannot recall much of it.

Why It's Rewatchable: The tense relationship between Christian Bale and Hugh Jackman. The steampunk-esque technological effects. Perhaps most importantly, once you know the full story, you begin to pick up on little hints and clues earlier in the movie every time you watch it again.

4. Top Christian Movie: The Passion of the Christ (2004)



I watch this movie every Lent, during the Triduum before Easter. There have been plenty of other movies made about the final night and day that Jesus was on this Earth before His crucifixion, but none of them were done in the languages spoken during the actual time period of the events. I applaud the filmmakers' use of Aramaic, Hebrew, and Latin and only after watching it and studying some Latin have I caught some distinctions between the languages. Everyone gives this movie trouble for the utterly gruesome blood and violence on display, but I appreciate that the filmmakers did not shy away from the reality that Jesus endured intense and painful whippings, scourgings, and beatings all before he was finally nailed to the Cross. While mainly drawing on the Gospel of John, all of the Gospel narratives about the Passion come together in this moving drama. The use of time jumps to tell other parts of the Gospel, as well as the spiritual warfare on display, are done very well to tell the full story or to give weight to a particular scene.

Watch Out for: Some of the harshest and most graphically realistic blood and violence stunts and effects.

Why It's Rewatchable: For the non-believer, it at least tells a tragic story while bringing an historical time and place to life as authentically as possible. For the Christian, this movie is a visual reminder of what our Savior endured in His Passion, giving some great weight and urgency to the situation because of its approach of realism.

3. Taxidermy in Motion: Fantastic Mr. Fox (2009)



I often debate with myself whether I consider this movie or Moonrise Kingdom to be Wes Anderson's best. This is one of the movies that made me appreciate the artistry of stop motion animation, but it was shot so stunningly well and smooth that everything really looks like it's almost happening for real. This is one of the few times and places where I enjoy the word "cuss" to describe profanities because it adds so much to the humor (I dislike using descriptive terms like 'curse words' or 'swearing' in normal circumstances). This is the kind of movie that both kids and adults can enjoy because it does not stoop low to talk down to kids nor does it involve a lot of wink wink nudge nudge jokes for adults.

It's a short movie but it is paced so well and the story is so entertaining you don't even pay attention to the time. The characters are all quirky and the adventure is zany, yet the plot has enough substance to it that it still does some character building along with the visual craziness. There's some fun relationships developed between the father and son, the son and his rivalry with his cousin, and Mr. Fox with his friends. There's also the thrill of the chase as Mr. Fox messes with his opponents in absurd and fun ways.

Watch Out for: Here and there, the puppets may look a little creepy, particularly the humans and the rat. Also, again, the word 'cuss' replaces real profanities that your kids may be able to piece together.

Why It's Rewatchable: Mr. Fox is rambunctious and gets himself into all sorts of trouble. The family dynamic allows for some good character development and some redemption to play of a part of the story. The humor is much more subtle than other comedies and doesn't rely on immature or gross comedy.

2. Two Hours of Magnetic Madness: No Country for Old Men (2008)



This movie has to be experienced all at once, in one sitting, for the initial viewing. The suspense and drama just keeps building and building as everything moves along and it grips you. I couldn't believe it when the movie suddenly ended and cut to black before the credits. Javier Bardem as Anton Chigurh is terrific, a believably realistic villain even if he is a nutball. The writing taken from McCarthy's book is wonderful to listen to and see come to life. It's actually kind of impressive how much of the book the Coen Brothers put onto the screen. This is the kind of movie that does not seem like a standard Coen Brothers movie but you're okay with it because it's just so incredible.

The scenery and backgrounds add some nice atmosphere to the piece, though they are not distractingly focused on for too long, unlike movies like The Revenant or even Hell or High Water. Javier Bardem is not the only great actor in this movie, just perhaps given the most memorable character. The other main characters, especially those played by Josh Brolin and Kelly Macdonald, are all very realistic and tragic. Fun fact, I randomly use a quote from one of the supporting characters from time to time: The deputy, played by great character actor Garrett Dillahunt, who is following the Tommy Lee Jones sheriff, looks at a troubling scene and says "Oh, Sheriff...that is agitatin' ".

Watch Out for: Gruesome scenes of dead bodies and some of the most realistic blood and injury effects in movies. Also some profanities are heard sporadically.

Why It's Rewatchable: The thrill of the chase as Javier Bardem tracks down Josh Brolin. There's actually something gripping and thought provoking about the helplessness that Tommy Lee Jones and other characters feel in their inability to stop the action.


1. So Serious It's Funny: Hot Fuzz (2007)



This is one of the movies on this list I've watched way too many times over the years (the only one on this list I'd say I've watched more is Fellowship). While some of the initial jokes in the movie have become too known to me, I still smile and chuckle throughout the piece. This is another movie that deserves repeated viewings after the first so that you can catch all of the inside jokes and clues you've missed along the way. This is an example of an homage and parody done well, where you understand how they are making fun of the buddy cop genre while at the same time it provides a story that can stand on its own.

People argue over which movie in the Cornetto Trilogy (this, Shaun of the Dead, or The World's End) is the best (most often people will say Shaun of the Dead) and obviously I consider this to be the best. They work really hard to present this as some dramatic action movie and it is because of its commitment to being serious that the comedy works so well. Timothy Dalton, while an underrated James Bond, must've been born to play villains because he is just the best in this movie. Simon Pegg is incredibly convincing in the dramatic serious lead role and this is the type of adorable nincompoop Nick Frost is best at, not like the vulgar character he is in Shaun of the Dead. The ensemble adds some British flavor to the comedy and even the cameos are memorable. The final quarter of this movie is essentially a climactic battle in the streets and it satisfactorily delivers on both the gunplay and the laughter.

Watch Out for: Slang and other R-rated profanities are utilized throughout the piece, mostly played for comedy. The blood and violence is not overly gory, but it does pop up here and there, especially at the end. And, for the briefest of five seconds, there's a scene where a woman wears plastic naked breasts.

Why It's Rewatchable: References and homages to particular movies as well as context clues hidden on the screen which revolve around the mystery. The comedy is spot on and the story is just pure entertainment.


Honorable Mentions

-Serenity (2004)

I have barely seen any episodes of the Firefly TV series only in the last few years (I know, I'm a bad geek), so I did not have any foreknowledge about the characters or storyline before going to the theater to see this movie. Yet, I still understood everything and I still enjoyed the way the story was told. The story focuses on a group of anti-heroes who actually go through some character development to turn them into likable good guys (at least, Nathan Fillon's character gets the most development), essentially giving us a prototype of Guardians of the Galaxy. The dialogue's dark sarcastic humor works very well here, as do the moral and philosophic questions that are played out in the midst of fun sci-fi action set pieces.

-The Lord of the Rings: Two Towers (2002) and Return of the King (2003)

Just because I consider Fellowship to be the best does not mean I do not appreciate what great pieces of motion picture beauty both of these movies are. They help give the full story of this thrilling adventure. All of the movies work best when watching their Extended Edition DVDs. Although I may not appreciate Gollum as a character, I can appreciate the technical and acting achievements accomplished in creating Gollum. I like the development of all of the characters along the way, except for maybe Gimli, who gets turned into the comedic relief as we go further along. The strange things about these movies, and perhaps why I put them in the honorable mentions category, is that I actually prefer the plotlines revolving around the battles much more than I prefer the Frodo & Sam storyline that actually matters the most within the story

-Open Range (2003)

It has the sensibilities of real classic Westerns along with the movie making abilities of modern dramas. Kevin Costner is a great actor and plays off of the superior Robert Duvall very well in this movie, but sometimes the man just loves too much narration, quiet moments, and slow drama in a movie that should focus its attention on gritty character building and gripping action. Michael Gambon made a convincing villain and there is a cool gunfight at the end of the movie.

-Children of Men (2006)

I remember the impact this movie had because there are key scenes I can vividly remember even now. This is not exactly an uplifting movie in the usual sense, especially since this movie is set in a truly chaotic, hopeless dystopia. This was in the midst of the height of Clive Owen's movie career, where he proved what a cool, gruff anti-hero he could be. At another time, I'd consider him for the next recasting of James Bond. This movie is full of shadowy lighting and disparaging images of humanity hitting a low point. There are multiple single takes that last a long while, which adds to the feeling of tension and discomfort that you should be feeling along with the characters. What makes this movie so good is the hope that Clive Owen finds and protects in the midst of the death.

-The Last Samurai (2003)

This movie is a story of forgiveness and redemption. Tom Cruise’s Nathan Algren is haunted by evil violence he inflicted upon a tribe of Native Americans and at first becomes enslaved by alcoholism and lack of care for his life. Then, through the time spent with the samurai village, Algren finds internal peace, asks for forgiveness, and finds value in his life by protecting the lives of those who helped him. His redemption comes from a second chance opportunity. Instead of passively allowing this clan to be massacred, he stands up to fight for the clan, even if it costs his life. In a way, the Emperor Meiji also goes through forgiveness and redemption. At first, driven by a desire for a powerfully modern Japan, the Emperor allows Omura to take over governing powers (in essence), also allowing the samurai communities to be desolated. In the end, after the climactic battle, the Emperor is driven by grief over his former mentor’s death that he stands up for the first time, to drive back Omura’s ambitions and halt the cultural implosion of Japan.


Need to See (Based on Recommendations)

-The Fountain (2006)

Two fantastic actors in a movie with a complicated timeline and focused on trippy special effects.

-Wall-E (2008) & Ratatouille (2007)

I added in the second movie of my own free will because I have not seen both of these Pixar movies, both of which are usually regarded as some of the best from the company.

-Minority Report (2002)

A crazy sci-fi plot featuring Tom Cruise action and directed by Steven Spielberg.

-Gran Torino (2008)

It's not just about racial issues from what I gather, but also about values in masculinity and what it really takes to be a true man. Also, it's Clint Eastwood.

-Crouching Tiger Hidden Dragon (2000)

I know, this is like some modern classic kung fu movie or something. I know I should've seen it by now. However, I've heard of and seen clips of some great action and stuntwork. And I would add some culture by watching in the original language.

-Almost Famous (2000)

This movie is on so many lists for Best Movies of this decade. I am not entirely sure if it's my cup of tea, but I enjoy rock music and historical pieces enough to give it a shot.

-Road to Perdition (2002)

A mobster flick done by an artsy director. Seems like it has some great actors in it, plus it's got some thematic examinations based on the subject material that I think I would find fascinating.

-The Fall (2006)

Apparently one of the most gorgeous and artsy movies made so far this century. At the very least I'll be able to look at lots of nice things.

-American Psycho (2000)

Mainly on my list because my friend Steve stated interest in what I would think of this movie. I hear it's a dark piece of satire, just featuring a bloody nutball with occasional violence and sex.




Sunday, February 28, 2016

More Movies with Values, Please! Part 2

Definition References

Today's post continues examining movies with value, or what makes a movie a 'good' movie. This understanding of movies with value is aided by an understanding of definitions that the values of a good movie.

What is a good movie? Well, generally speaking, it is opposite of a bad movie. A good movie is one that is not only made with quality, but also contains either moral value or artistic value or both.

Artistic value can be judged based on the following question: Does it look good aesthetically, whether it is an animated movie or because of the direction and cinematography? Does the theme say something honest or truthful about the human condition? Does it have a good reason for existing?

Moral value can be evaluated based on these levels: Can this/ should this be seen by families? Is there a sensible reason for it to be made for adults or teens only? If religious, does it present spiritual truths well? Does the movie uphold natural understanding of what is good, true, and beautiful in the world? If there is a focus on a negative subject, does the positive good overcome in the end?

You may notice that these definitions actually involve questions. By looking at questions, we can discuss and discover answers. Below I pose other questions that people may have to determine whether the movies that they or other people watch carry that same value of a good movie.

Do movies need to be intelligent or ‘thinking pieces’? 

Not every movie has to be a thinking piece to be good. There are just as many boring, complicated arthouse movies as there are high quality dramas. Usually these kind of high-brow, thinking man's movies naturally carry some sort of artistic or moral value to it due to the increased detail and dedication devoted to it. At the same time, simplistic movies can be good without being stupid. There are just as many enjoyable blockbuster popcorn flicks as there are crass, rude comedies. Turning off your brain is not automatically settling for a low brow trashy piece unworthy of the name ‘Movie’. Some movies are just meant to visually entertain or are meant to draw us in emotionally without working our brains too hard. These non-thinker movies should still must contain some sort of artistic or moral quality to it though.

Do movies with value include objectionable content like violence, sexuality, and language? 

There are some people who object to a movie due to violent or thematic content. To an extent, that’s good. Some movies take it too far with blood and guts unnecessarily or provide an absurd amount of realistic sex or drug scenes. There are a few cases, however, where realism requires shocking content. In the case of violence, Saving Private Ryan shows us the horrors of warfare, especially at Normandy beach. I cannot think of an acceptable case for sexuality, where we are shown the physical movements and the nakedness involved in the act of intercourse. Only rarely is nudity acceptable for realism’s sake (a la Schindler’s List). 

Language is slightly more complicated, where depending on the type of movie and characters involved determines how much of it to tolerate. A movie like The Sandlot occasionally has a ‘damn’ or a ‘shit’ said by one of the characters, but the overall product makes that occasional slip of a light coarse word tolerable. Anything with more ‘adult’ language, and especially using mature profanities, blasphemous talk, and derogatory names, should not be tolerated and in fact most movies would be better without that kind of language involved. Sure, realistically people may use obscenities now and again, but scripts can be written in creative ways to express the same feeling or mentality without resorting to using the obscenities. 

Now, if a movie has a moment or two of objectionable content, but overall contains artistic or moral merits, can it still be a good movie with value? Depending on the movie, yes, but we also have to acknowledge these objectionable faults or negative aspects of the movie. In my posts about my favorite movies, I would try to point out reasons why I would caution people to not see my movie choices. For example, I explained that The Big Lebowski contains sexual content, a couple moments of nudity, coarse language, and drug use/ references. Yet, there are shining moments of witty humor, great character acting by John Goodman, Jeff Bridges, and Philip Seymour Hoffman, and the ridiculousness of the scenarios makes the movie memorable and quotable.

Shouldn’t movies just be escapist, feel good events? 

I think maybe if you’re a kid or someone suffering trauma and in need of relief, then movies should be limited to light-hearted, feel good entertainment. For others though, I think it puts too many limits or constraints on the value that movies can have in our lives by restricting our viewership to escapism or stuff that only makes us feel good. Movies are meant to entertain, yes, but too much pure entertainment can cause a bread-and-circus kind of environment like professional sports. Movies can help us feel good if we need the occasional pick-me-up, but they can also bring us on an emotional roller coaster and inspire or educate us through perilous, heart breaking journeys. Life is not always feel good, it involves learning, suffering, and growing. Escapism can causes stagnation if overused.

Favorite Movies That Fit Criteria

There are some movies that have been made in the 21st century that still carry the values of morals and arts. Some of them are on my favorite movies list. I will try to briefly explain why I think some of these movies demonstrate good value. I tried to pick ones made since 2000 that were released to the general public (a.k.a wide theatrical release).

Harry Potter and the Deathly Hallows Part 1

Moral Value: The Harry Potter series has always been concerned with friendship, loyalty, and love, and this movie demonstrates the struggle to maintain these three qualities in the midst of a dark hour. The three lead actors, especially Rupert Grint, give adult performances that realistically live out these traits and the struggles with them. Plus there are a few moments involved where good is about to lose to evil when right at the last minute good is saved.

Artistic Value: The animation involved in the Tale of The Three Brothers.

Hot Fuzz

Artistic Value: Part of the entertainment of this movie is how dramatic it presents itself while still being one of the funniest comedies in this century thus far. This movie is a stealthy parody and it truly understands what it is parodying. Since it is a send-up of the ludicrous action movies of the 90s, all of the loony action scenes and goofy circumstances from those cliche movies are there. Unlike other parody films, like Mel Brooks' style of movie, this movie is able to provide a few winks and nods to what it is teasing while still maintaining a sense of independence in its storytelling and characterization.

The Last Samurai

Moral Value: This movie is a story of forgiveness and redemption. Tom Cruise’s Nathan Algren is haunted by evil violence he inflicted upon a tribe of Native Americans and at first becomes enslaved by alcoholism and lack of care for his life. Then, through the time spent with the samurai village, Algren finds internal peace, asks for forgiveness, and finds value in his life by protecting the lives of those who helped him. His redemption comes from a second chance opportunity. Instead of passively allowing this clan to be massacred, he stands up to fight for the clan, even if it costs his life. In a way, the Emperor Meiji also goes through forgiveness and redemption. At first, driven by a desire for a powerfully modern Japan, the Emperor allows Omura to take over governing powers (in essence), also allowing the samurai communities to be desolated. In the end, after the climactic battle, the Emperor is driven by grief over his former mentor’s death that he stands up for the first time, to drive back Omura’s ambitions and halt the cultural implosion of Japan.

The Prestige

Moral Value: The moral value of this movie comes from watching the downfall of two men driven by revenge and pride. The main characters played by Hugh Jackman and Christian Bale are not necessarily meant to be despised, but they are not to be held up as models of honor and righteousness. Because of the desire to be the best, they are willing to sacrifice people, whether it is Bale with his family or Jackman with himself and his Scarlet Johanssen girlfriend. While the value comes from a negative examination of events, it still has value by showing us how prideful ambition can hurt not only other people but ourselves as well.

The Dark Knight

Artistic Value: The gritty realism of Christopher Nolan’s Gotham City. Before Christopher Nolan took on the Batman movies, Gotham City always had a cartoonish look to it, whether it was Adam West's 60s Batman, the animated series, or the 90s movies of Joel Schumacher. Tim Burton was probably at that point closest to making Gotham City look like a real place, but it still had unrealistic, bloated interpretations of metropolis cities. Christopher Nolan's version of Gotham City looks like a real place, and the characters inhabiting the city look and act like real people.

Moral Value: The battle of chaos-fueled evil Joker vs. rule-abiding good guy Batman. Seeing Batman struggle with trying to stop evil while holding on to the last remains of his ethics shows how dangerous and challenging the fight against evil can be, though the choice to do good in the end wins. Even Harvey Dent, until he went crazy over Rachel, shows confidence and trust in the good of law overcoming the evil of crime, even if he began to use questionable techniques to do good. Overall, this movie shows that while evil appears to be all powerful, the choice to do good is more powerful. 

Master and Commander (The Far Side of the World)

Artistic Value: The artistry comes through with a realistic sense of life on a 19th century naval ship. There are small cramped spaces inside the ship and there is the vast ocean surrounding it. With the background music establishing the period and tone and the scenes of the ship steering through the vast ocean waters, even the slow times are enjoyable. The action scenes do not go over the top, but continue to add to the realism of the movie. Everyone acts like they belong on a naval ship commanded by the British Empire in the 19th century.

Now


In the year 2015, there were some movies that show that not all is lost, that there are still movies of good moral and artistic value out there.  Movies from 2015 that I saw with these values include Inside Out, Star Wars: The Force Awakens (artistic wise only), Mad Max: Fury Road, Sicario, and Mission Impossible: Rogue Nation. Movies from 2015 that I have not seen but I have heard show good value include The Martian, The Peanuts Movie, Creed, and Cinderella.

In the end, movies with value rightfully maintain a presence in our consciousness and are worthy of even more attention. What are the movies that we really remember over the years? What movies do we want in our DVD/ Blu-Ray collections? Wouldn’t Netflix be so much better if there weren’t as many duds as there were award winning pieces? Just think of the movies that are listed and remembered from the first 100+ years of film. We only remember and hold on to the good ones and their ‘classic’ standard is something that our modern movies should be held up to.